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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Ian, 2020 Phil Went

Ian

Phil Went
Image
Nic, 2010 by Phil Roubin

Nic, 2010

by Phil Roubin
Image
Millie, 2012 by Phil Roubin

Millie, 2012

by Phil Roubin
Image
Thomas Mathewson (inset) and his studio on Queen Street, c. 1908 by Thomas Mathewson & Co

Northern exposure

Magazine article by Phil Manning, 2017

Phil Manning celebrates a century of Brisbane photographic portraiture.

Phil (Phil May)
Phil (Phil May)
Phil (Phil May)

Phil (Phil May), 1895

Sir Leslie Ward, Vanity Fair Magazine
Portrait, chromolithograph on paper

Gift of Mr Ronald Walker 2001

David Armstrong, B.A., B. Phil.
David Armstrong, B.A., B. Phil.
David Armstrong, B.A., B. Phil.

David Armstrong, B.A., B. Phil., 1959

Clifton Pugh AO
Portrait, oil on masonite

Gift of Jennifer Armstrong 2018. Donated through the Australian Government's Cultural Gifts Program.

Battye Blue, 2005 by Phoenix Battye

Headspace 6

Who Am I?
Previous exhibition, 2005

The sixth in the National Portrait Gallery’s series of student exhibitions, will feature 200 portrait artworks, both two and three-dimensional, from secondary school students from across Australia

Battye Blue, 2005 by Phoenix Battye

1 to 6

Magazine article by David Sequeira, 2005

The National Portrait Gallery's annual survey of student self portraiture highlights the processes of personal inquiry through portraiture by students from all levels across Australia.

Portrait of Troppo Architects, 2009 by David Lancashire

Troppo Architects

General content

The studios of Troppo Architects are located away from Australia’s major urban centres.

Michael Kelly
Michael Kelly
Michael Kelly

Michael Kelly, 1998

Rick Amor
Portrait, soft ground etching on paper.

Gift of the artist 2005. Donated through the Australian Government's Cultural Gifts Program.

Self-portrait in black jumper, 2017 Graeme Drendel

Be frank

Magazine article by Dr Sarah Engledow, 2020

Close encounters are the genesis for Graeme Drendel’s enticing portraiture.

Ken Catchpole
Ken Catchpole
Ken Catchpole

Ken Catchpole, 2014

Gary Grealy
Portrait, inkjet print on paper

Commissioned with funds from the Patrick Corrigan Portrait Commission Series 2014

June Dally-Watkins

2023 Annual Appeal

Annual Appeal

In 2023 the Annual Appeal was focussed on a work by one of Australia's best loved and most successful portrait painters, Judy Cassab AO CBE, depicting model, entrepreneur and deportment icon, June Dally-Watkins OAM.

Lucy Culliton, 2016 by Mark Mohell

Lucy Culliton

Explore The Popular Pet Show

Most well-regarded pictures of chickens show them dead. A reliable way to tell if a chicken in a painting is dead is to check if it’s hanging upside down, because unlike, say, cockatoos, chickens don’t practise inversion for enjoyment in life.

Self Portrait, Stuart Campbell by Stuart Campbell

The essence of you

Magazine article by Lee Tulloch, 2011

Lee Tulloch remembers her great friend NIDA-trained actor turned photographer Stuart Campbell.

Charles Haddon Chambers

Suave

Magazine article by Dr Sarah Engledow, 2010

Charles Haddon Chambers the Australian-born playboy playwright settled permanently in London in 1880 but never lost his Australian stance when satirising the English.

Arcadia: Sound of the sea

Exhibition introduction
General content

One night in the spring of 1970 in an old house in Whale Beach, north of Sydney, John Witzig, Albe Falzon and David Elfick put together the first issue of Tracks, playing Neil Young’s album Harvest over and over again as they pasted up galleys of type.

Portrait sketch of Nellie Melba

Doodles of the Diva

Magazine article by Dr Sarah Engledow, 2010

Three tiny sketches of Dame Nellie Melba in the NPG collection were created by the artist who was to go on to paint the most imposing representation of the singer: Rupert Bunny.

Portrait of Troppo Architects, 2009

Thinking about architecture and portraiture

Magazine article by Dr Christopher Chapman, 2009

Dr Christopher Chapman describes the experimental exhibition Portraits + Architecture

Professor Peter Doherty

Friends and Acquaintances

Magazine article by Dr Sarah Engledow, 2005

Dr. Sarah Engledow discusses a collection of drawings and prints by the Victorian artist Rick Amor acquired in 2005.

Self-portrait, 2015 by Rod McNicol

A spectral sentience

Magazine article by Aimee Board, 2019

Aimee Board reveals method, motivation and mortality in the portraiture of Rod McNicol.

Mary (or Diana) Croker, mat woman, Colchester, 1823 by John Dempsey

Unknown drawer

Magazine article by Dr David Hansen, 2017

Dempsey’s People curator David Hansen chronicles a research tale replete with serendipity, adventure and Tasmanian tigers.

Self portrait

Rick Amor: 21 Portraits

General content

Sarah Engledow chronicles Rick Amor's work and accomplishments in this extensive essay in conjunction with the exhibition Rick Amor: 21 Portraits.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency